Boutique & store stock
Our designs, your shelves.
From 5 pcs per style- Pick from 246 designs or our archive
- Choose leather and colour per style
- Our label or yours
Send a photo, sketch or sample and our pattern master cuts a cardboard pattern of it in 2–3 hours. From 5 pieces per style in leather and 50 in textile, with your embroidery, printing and labels.
Found a jacket you love, drew one on paper, or have an old favourite to copy? Our pattern master replicates it on cardboard in about 2–3 hours, grades it to your sizes and we sew a sample for you to approve.
We also keep more than 10,000 patterns on file, from classic bikers to long coats, so many styles are ready to sample straight away.
Logos, trademarks and artwork must be owned or authorized by you.



Tell us who you sell to and we will quote the right mix of designs, materials and branding. Every order is confirmed in writing before production starts.
Our designs, your shelves.
From 5 pcs per style
Your brand, made by us.
From 5 pcs per style
Jackets people keep for years.
From 5 pcs per style
Hoodies, tracksuits and more.
From 50 pcs per styleTap a design to see it bigger and press + to add it to your request. The design codes go straight into your quote form.
No designs match. Send us a photo instead and we will make it.
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Every visible and hidden detail can carry your brand. We show you a sample before the full order is made.
Artwork and brand elements must be owned or authorized by you.
Choose how your logo and artwork are applied. We help you pick the right method for your material, quantity and look.
Stitched branding that lasts as long as the jacket.

Thread stitched into the garment for a clean, durable logo.
Your artwork is digitized into a stitch file. Multi-head machines sew satin stitches for text and outlines and fill stitches for larger areas, with a backing behind the panel.
Best for: Logos, names, chest crests
Raised, sculpted lettering that stands off the surface.
A foam layer is placed under the design and covered with dense satin stitches. The needle cuts the foam at the edges and the excess is torn away.
Best for: Bold initials, sleeve logos, caps
The soft, looped texture of classic varsity letters.
Chenille machines loop yarn into a thick pile on a felt base. The letter gets an embroidered border and is sewn onto the jacket.
Best for: Varsity letters, team patches
Linked loops of thread with a vintage, hand-drawn look.
A chain-stitch machine forms each stitch as a loop through the one before, spiralling to fill shapes and flowing through script lettering.
Best for: Script names, western and workwear
Fabric or leather shapes stitched onto the garment.
Shapes are cut, placed on the panel and locked down with a satin or zigzag border. Covers large areas with less thread and adds a second texture.
Best for: Back designs, varsity, colour blocking
Badges made separately, then sewn or pressed on.
The design is embroidered on twill, cut out and finished with an overlocked (merrow) edge, then sewn on or backed with heat-seal or hook-and-loop.
Best for: Club patches, crests, retail add-ons
Fine-detail brand labels woven on a loom.
Jacquard looms weave your logo into fine damask threads so small text stays sharp. Labels are cut, folded and sewn into the neck, lining or side seam.
Best for: Neck labels, size and care labels
Sparkling sequins stitched into the design.
A sequin attachment feeds and stitches each sequin in place, row by row, alongside regular thread work.
Best for: Fashion pieces, stage wearFrom bold screen prints to full-colour transfers.

Bold, opaque colour that sits on top of the fabric.
One mesh screen is made for each colour. Ink is pushed through with a squeegee and heat-cured. Very durable and cost-effective for larger runs.
Best for: Tees, hoodies, team gear
A soft print that soaks into the fibres.
Printed through screens like plastisol, but the ink dyes into the fabric instead of sitting on top, so you can barely feel it.
Best for: Premium tees, light cotton
Removes the garment dye and replaces it with colour.
A discharge agent in the ink lifts the dye as it cures and deposits the new colour. Works on 100% cotton or high-cotton garments with reactive dyes.
Best for: Vintage looks on dark cotton
A raised, spongy print.
A puff additive in the ink expands under heat, lifting the print off the fabric.
Best for: Logos, streetwear graphics
A sharp, raised print with crisp edges.
Thick ink is printed through a thicker stencil in several passes, building a clean, dimensional block.
Best for: Numbers, bold logos
Full-colour, photographic prints with no screens.
The garment is pretreated, then an inkjet printer sprays water-based ink directly into the fibres and the print is heat-cured.
Best for: Detailed artwork, small runs on cotton
Vivid full-colour transfers for almost any fabric.
The design is printed on film, coated with adhesive powder, cured and heat-pressed onto the garment.
Best for: Cotton, polyester, fleece, nylon
Edge-to-edge prints that will not crack or peel.
Dye is printed on paper, then heat turns it into gas that bonds into polyester fibres. Works on white or light polyester.
Best for: Jerseys, linings, all-over prints
Crisp names and numbers.
Vinyl is plotter-cut, weeded and heat-pressed. Comes in matte, gloss, metallic, glitter and reflective.
Best for: Player names, numbers, personalization
Mirror-shine gold, silver or colour.
An adhesive is printed first. Metallic foil is heat-pressed on and peeled away, staying only where the adhesive is.
Best for: Statement logos, fashion
A velvet-soft raised texture.
Short fibres are bonded onto an adhesive print, giving a suede-like feel.
Best for: Collegiate lettering, retro graphics
Shines back in headlights.
Reflective film or ink with tiny glass beads bounces light straight back to its source.
Best for: Safety details, cycling, streetwearSoft-touch, raised rubber logos.
Silicone ink is printed in layers or moulded, giving a flexible 3D logo with a matte or gloss finish.
Best for: Sportswear, tabs, small logosWays to brand and decorate the leather itself.

A raised logo pressed into the leather.
A metal die and counter-die push the design up from behind with heat and pressure.
Best for: Chest logos, patches, collars
A logo pressed down into the leather.
A heated metal die presses the design into the surface. Subtle, clean and permanent.
Best for: Subtle branding, labels, tabs
Gold, silver or coloured foil pressed into leather.
A heated die presses foil into the leather so it bonds inside the impression.
Best for: Luxury logos, lining labels
Fine, permanent engraving with no ink.
A laser burns away the surface layer to draw fine lines, text and patterns in darker tones.
Best for: Detailed art, monograms
Cut-outs and perforated patterns.
A laser or cutting press punches holes and shapes, often over a contrast lining, for ventilation and a lighter look.
Best for: Racer panels, summer jackets
Full-colour printing directly on leather.
UV-curable ink is printed straight onto the leather and cured instantly with UV light, keeping fine detail and colour.
Best for: Artwork, photos, colourful logos
One-of-a-kind artwork, painted by hand.
Artists paint with flexible leather paints and airbrush, then seal the finish.
Best for: Back art, custom pieces
Padded, stitched patterns.
Leather is layered over padding and stitched in diamond, channel or custom patterns.
Best for: Shoulders, sleeves, linings
Metal hardware set into the leather.
Studs, spikes, rivets and conchos are set by hand or press through punched holes.
Best for: Biker, western, stage wear
Laced edges, braids and fringe.
Leather strips are cut and laced through punched edges, braided, or cut into fringe along yokes and sleeves.
Best for: Western and bohemian styles
Branded leather labels and patches.
Leather patches are cut, debossed or printed with your logo and stitched onto jackets, denim or bags.
Best for: Waistbands, hems, merch
Aged, shaded colour.
The leather is hand-rubbed, waxed and burnished so edges and high points darken for a worn-in look.
Best for: Vintage flight and biker jackets
Soft, broken-in leather from day one.
Finished garments or hides are drum-washed to soften the leather and bring out natural creases.
Best for: Relaxed jackets, shirtsGarment washes and dye effects for textile pieces.

High-contrast, marbled fading.
Pumice stones soaked in bleach or potassium permanganate are tumbled with dry garments. The stones fade the fabric in random marbled patterns, then garments are neutralised and washed.
Best for: Denim, heavy cotton, fleece
A soft, faded, broken-in look.
Garments tumble in water with pumice stones that gently abrade the surface, fading colour on seams and edges.
Best for: Denim jackets, workwear
A soft hand with a light, even fade.
Natural cellulase enzymes remove surface fibres in the wash, softening the fabric with less wear than stones.
Best for: Tees, hoodies, twill
Speckled, frosty contrast.
A variation of acid wash using small stones and bleach in a dry tumble, leaving fine white speckles.
Best for: Denim, statement pieces
An overall lighter, washed-out shade.
Garments are washed in controlled bleach baths, then neutralised, lifting the colour evenly.
Best for: Light denim, summer pieces
Rich colour on pre-shrunk garments.
Garments are sewn in undyed fabric, then dyed as finished pieces, so seams and stitching take colour slightly differently.
Best for: Tees, sweats, overshirts
Faded, lived-in colour.
Garments are coloured with a surface dye, then washed so the colour lifts away at seams and folds for a vintage look.
Best for: Vintage tees and sweats
Bold, hand-made patterns.
Sections are folded, twisted and bound, then dyed, so every piece comes out one of a kind.
Best for: Hoodies, tees, drops
Colour that fades from dark to light.
Garments are dipped into dye in stages so colour grades smoothly from one end to the other.
Best for: Tees, knits, statement piecesQuantity, sample fee, price, lead time, payment, freight and duties are all agreed in writing before we start.

A photo, sketch, tech pack or sample garment, plus quantities, sizes and where it ships.

Our pattern master drafts a cardboard pattern of your design and grades it to your size range.

We cut and sew a sample in your chosen leather or fabric, with your branding.

You sign off fit, colour, hardware and branding. Production starts only after that.

Each hide is checked for marks and cut piece by piece by hand. Fabrics are cut in layers.

Embroidery, printing, embossing or quilting is done on the flat panels before assembly.

Panels, linings, pockets, zips and hardware are sewn together.

Edges are finished, washes applied and every piece checked against your approved sample.

Your labels, hangtags, bags and packing instructions are followed.

Shipped with a packing list. Freight, duties and taxes are agreed up front.
Quote a colour name or WB-C code. Screens change how colour looks, so we send a physical cutting to approve the exact shade.
* Exotic leathers by request, with the right trade documents. Availability depends on the destination country.
Linings: satin, quilted, cotton, fleece, sherpa or printed with your artwork.
Neutrals and earth
Deep and saturated
Bright and pastel
Metallic finishes
Colour names and WB-C codes are in the catalog.
Everything you need to plan a collection and ask for a quote, in one 35-page PDF.
Send the form and your catalog download appears straight away. We reply to every request by email.
Prefer email? Send photos and sketches to sales@whiteburaq.com
White Buraq, Duluth, Georgia, USA · +1 678-451-8878
Retailers: our ready-made styles are also on Faire, with net-60 terms and free returns on your first order. Search for White Buraq on Faire to order stock without a quote.
We will reply by email. In the meantime, download our 35-page wholesale catalog. You can email photos or sketches of your designs to sales@whiteburaq.com.
Buying textile apparel? We will send the textile line sheet with our reply.
Leather products start from 5 pieces per style and textile products from 50 pieces per style. Your exact minimum is confirmed in your quote. Your price per piece is confirmed in your quote.
Yes. Send a photo, sketch, tech pack or a sample garment and our pattern master drafts a cardboard pattern in about 2–3 hours. We also keep more than 10,000 patterns on file. Logos, trademarks and artwork must be owned or authorized by you.
Yes. You approve a sample or mockup of the leather, colour, fit and branding before we make the full order. Any sample fee is shown in your quote.
Flat, 3D puff, chenille, chain-stitch, appliqué, patches and woven labels, plus screen, water-based, discharge, puff, high-density, DTG, DTF, sublimation, vinyl, foil, flock, reflective and silicone printing. On leather we emboss, deboss, foil stamp, laser engrave, perforate and UV print.
Yes, for textile products: acid, stone, enzyme, snow and bleach washes, garment dye, vintage wash, tie-dye and dip-dye. Leather can be antiqued, burnished or drum-washed.
Yes. We grade the pattern to your size range and measurements, including tall, big and women’s fits.
It depends on the design, materials, quantity and decoration. We confirm the production time in writing with your quote, before you place the order.
Yes, we ship worldwide. Freight, duties and taxes for your destination are made clear in your quote.
For 1–4 pieces, use our custom jacket builder for one-off pieces and very small runs.
Exotic leathers are available by request for some projects. They need the right trade documents, and availability depends on the destination country.
From 5 pieces in leather and 50 in textile, with your label on every piece.
Made in your choice of leather or fabric, colour, lining and hardware, with your branding.